Listen to great emotions in the most moving moments in operatic history! Get to know much-loved Arias and Duets including “Nessun Dorma” from Puccini’s Turandot, “La donna è mobile” from Verdi’s Rigoletto, Mozart’s “Der Hölle Rache” from The Magic Flute and many more. Welcome to the world of the opera!

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OPERA CLASSICS
0:00- Daniel Barenboim-Le nozze di Figaro, K. 492, Act 2: "Voi che sapete"
2:50- Daniel Barenboim-Le nozze di Figaro, K. 492, Act 2: "Porgi, amor"
7:05- Bernard Haitink-Don Giovanni, K. 527, Act 2: "Deh vieni all finestra"
9:08- Bernard Haitink-Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto"
13:00- Wolfgang Sawallisch-Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen"
15:56- Sir Roger Norrington-Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris"
19:09- Karl Böhm-Cosi fan tutte, K. 588, Act 1: "Temerari...Come Scoglio"
25:01- James Levine-Il barbiere di Siviglia, Act 1: "La calunnia è un venticello"
29:55-Carlo Maria Giulini-Don Carlos, Act 2: "Nei giardin del bello... Tessete i veli"
34:52- Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Tullio Serafin - Norma (1997 Remastered Version), Act I, Scene 1: Casta diva
40:25- Zubin Mehta-Aïda, Act 1: "Se quel guerrier io fossi!...Celeste Aida"
45:07- Aldo Ceccato-La traviata, Act 3: "Teneste la promessa... Addio del passato"
50:50- Jon Vickers/Berliner Philharmoniker/Herbert von Karajan- Otello, Act IV, Terza e quarta scena: Niun mi tema
56:51- Sir John Barbirolli-Madama Butterfly, Act 2: "Un bel dì vedremo"
1:01:30-James Levine-Tosca, Act 3: "E lucevan le stelle"
1:04:23- Nicolai Gedda/Mirella Freni/Orchestra del Teatro dell'Opera, Roma/Thomas Schippers - La Bohème, Act I: Sì. Mi chiamano Mimì
1:09:17- Bruno Bartoletti-Manon Lescaut, Act 2: "In quelle trine morbide"
1:11:34- Dame Kiri Te Kanawa/London Symphony Orchestra/Myung-Whun Chung-Turandot, Act 1: "Signore, ascolta"
1:14:11- Riccardo Muti-Pagliacci, Act 1: "Recitar!...Vesti la giubba"
1:17:55- Roberto Alagna/Orchestra of the Royal Opera House, Covent Garden/Mark Elder-Fedora: Amor ti vieta
1:19:41: Riccardo Muti-Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice?"
1:25:08- Wolfgang Sawallisch-Die Zauberflöte, K. 620, Act 1: "Der Vogelfänger bin ich ja"
1:27:44- Otto Klemperer-Don Giovanni, K. 527, Act 1: "Finch'han dal vino"
1:29:11- Barbara Hendricks-Le nozze di Figaro, K. 492, Act 3: "E Susanna non vien!...Dove sono"
1:35:39- Otto Klemperer-Fidelio, Op. 72, Act 1: "Abscheulicher!"
1:43:58- Lamberto Gardelli-Guillaume Tell, Act 4:"Ne m'abandonne pas, espoir de la vengeance... Asile héréditaire"
1:50:58- Alceo Galliera-Il barbiere di Siviglia, Act 1: "Largo al factotum"
1:55:42- Carlo Maria Giulini-Don Carlos, Act 4: "Ella giammai m'amò"
2:03:14- Julius Rudel-Rigoletto, Act 3:"La donna è mobile"
2:05:29- Thomas Schippers-Il trovatore, Act 3:"Di quella pira"
2:07:32- Sir John Barbirolli-Otello, Act 1:"Esultate!"
2:09:57- Lorin Maazel-Otello, Act 3:"Dio! mi potevi scagliar"
2:14:38- Maria Callas-Tosca, Act 2:"Vissi d'arte, vissi d'amore"
2:17:40- Lamberto Gardelli-Turandot, Act 2:"In questa reggia"
2:23:38-Georges Prêtre-Turandot, Act 3:"Tanto amore"
2:26:01- Montserrat Caballé-Gianni Schicchi: "O mio babbino caro"
2:28:43- Luciano Pavarotti - L'amico Fritz, Act 3:"Ed anche Beppe amò"
2:32:00- Maria Callas-Adriana Lecouvreur, Act 4: "Poveri fiori"
2:35:12- Roberto Alagna/Mark Elder/Orchestra of the Royal Opera House, Covent Garden-Andrea Chenier, Act 4: Come un bel dì di maggio
2:38:16- Riccardo Muti-Le nozze di Figaro, K. 492, Act 1: "Non più andrai"
2:41:27- Eberhard Waechter-Don Giovanni, K. 527, Act 1: "Là ci darem la mano"
2:45:11- Catherine Pierard-Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa"
2:47:36- Carol Vaness-Cosi fan tutte, K. 588, Act 1: "Soave sia il vento"
2:50:40- Maria Callas-Norma: Act 2: "Mira, o Norma"
2:58:08- Edita Gruberova - Lucia di Lammermoor, Act 3: "Il dolce suono"
3:14:53-Alfredo Kraus-Don Pasquale, Act 3: "Com' è gentil"
3:18:45- Maria Callas -Il barbiere di Siviglia, Act 1:"Una voce poco fa"
3:25:04- Riccardo Muti-La traviata, Act 1: "Libiamo ne' lieti calici"
3:27:56- Daniella Dessì - Rigoletto, Act 1: "Gualtier Maldè! ... Caro nome"
3:34:39- Birgit Nilsson - Aida, Act 1:"Ritorna vincitor!"
3:41:04- Katia Ricciarelli - Otello, Act 4: "Ave Maria"
3:46:17- Franco Corelli - Turandot, Act 3: "Nessun dorma"
3:49:08- Nicolai Gedda - La bohème, Act 1: "Che gelida manina"
3:53:36- Barbara Hendricks - La Wally, Act 1: "Ebben? ... Ne andrò lontana"

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Nocturne in E-flat major, Op. 9, No. 2
Played by Vadim Chaimovich (https://www.youtube.com/vadimchaimovich)
FB-Vadim: https://www.facebook.com/vadimchaimovich
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Vincent van Gogh painted The Starry Night one year before dying.
Chopin composed his popular Nocturne when he was about twenty.
it does not matter if you think that it is too late for you or that you still have a lot of time...you have to decide whether you are Chopin or van Gogh.

The idea behind these videos is coming from a research published by the Psychology Department of Berkeley University studying the relation between colors, emotions and how external stimuli are impacting decision making.

The study results demonstrate a strong correlation between faster music in minor tone and the choice from participants of colors from that were saturated, yellower and lighter whereas a slower and minor music produced the opposite pattern (choice of desaturated, darker and bluer colors).

Based on these findings, we wanted to create synesthesia in our videos and trigger more intense and long-lasting emotions in our viewers, get higher audience retention and interaction. We decided to do that by associating drawings from the major painters that were following the scientific findings of this research.
The choice of these paintings and the consecutive association with the music is also based on an accurate work that requires significant time and energy.

The analysis of the melodies returned to us a lot of information on how the painting should have been made. We needed a simple blue pattern but with an intrinsic meaning. Something that people could watch for a while without really understand it.

By creating this video I tried to do only one thing which turned to be the most difficult one: make you feel an emotional synesthesia.
When hearing the melody, don't you feel that everything is...blue? aren’t you lost in the sky? is your mind going over? It’s not for no reason.
it is not only an image, it is not only a melody. It is a trip.
You don't feel bored. Its your mind using the notes and the colors to create your own experience.

Most of the videos online with only one image are only music, but not this.

The research behind the perfect combination is the key for the unconscious.

The research:
"Music–color associations are mediated by emotion"
https://www.pnas.org/content/110/22/8836
Stephen E. Palmer, Karen B. Schloss, Zoe Xu, and Lilia R. Prado-León
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This popular nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. The A and B sections become increasingly ornamented with each recurrence. The penultimate bar utilizes considerable rhythmic freedom, indicated by the instruction, senza tempo (without tempo). Nocturne in E-flat major opens with a legato melody, mostly played piano, containing graceful upward leaps which becomes increasingly wide as the line unfolds. This melody is heard again three times during the piece. With each repetition, it is varied by ever more elaborate decorative tones and trills. The nocturne also includes a subordinate melody, which is played with rubato.

#chopin #classicalmusic #nocturne #piano